When Singer Baenziger Architekten took on this project of a farmhouse from the 1600s and a later-built barn (both sharing a cantilevered saddle roof) in the village center of Schlieren, Switzerland, they looked to restore the house while converting the barn building into a new living space. According to the design team, led by Roman Singer and Rémy Baenziger, the project will also include breaking up the singular roof through the use of roof windows and two roof sheds. Along with this, the outside landscape will retain the original exterior space, the unfinished nearby alley’s forecourt, and the existing tree garden, but will add a new small private seating area for the farmhouse’s residential units. Continue reading “A Barn Replacement + Farmhouse Restoration by Singer Baenziger Architekten”
It’s time for Episode 114 of WIRed, where Montez McCrary discusses an “invisible” reconstruction, the Easy Bake 3D Printer, play DOOM on an ATM, and the man they call Sting descends from the rafters! Welcome to WIRed, bringing you the nerdy-geekery on architecture, technology, gaming, and pro wrestling.
Here in Ostrava-Svinov, Peterkova (long story short, the Czech Republic) there’s this reconstruction of the former small portable building with changing rooms designed by authorial team PROJEKTSTUDIO (with David Kotek, David Pospiech operating as the Architects in Charge and Jan Müller as Engineer) is located in an area of the former Svinov distillery – Ostrava’s national monument. The facade of the 3638 square foot house — that was completed last year — is made of composite panels in with a mirror-like chrome color treatment, reflecting images of the existing hundred-year old distillery. With this interesting take on “masking” results in the newly-designed object becoming invisible – sort of like stealth-cloaking mechanism. Continue reading “The Reconstruction of Building Ostrava-Svinov; SHOW ME THE DISTILLERY!”
The art and method of reusing building materials from older buildings for newer building is nothing new; the Romans harvested construction materials from older structures to build new monuments, just as later Roman monuments were harvested for new construction in medieval times. This strategy, from the “pro” side, of considering the “design-science of the life of buildings” rather than just the “art of building” was a suggestion of futurist Steward Brandt. A problem, the “con,” that could arise from that is the structures that could have been deemed culturally and historically significant were razed for the sole purpose of new construction. Granted, the importance of historic preservation may or may not have been as important then as it is today, but now it has become a legitimate alternative, guideline, and preference in architecture. Unfortunately for China, according to an article in Architect: The Magazine of the American Institute of Architects, they may have fallen into the “con” category.