ArchDaily’s 5 Ways Architecture Students can Prepare for Architecture School During Summer

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It’s that time again where there will be a brand new crop of incoming freshmen who are anticipating a new chapter in their lives as they prepare for architecture school in the fall. I can tell you from experience that entering the environment of a architecture studio classroom for the very first time is both exciting and scary, as new challenges lie ahead, however some self-doubt and nervousness can rear its ugly head. While it’s true that most architectural skill are better developed while under the tutelage of experienced professors and professionals, there are some easier tasks that incoming architecture students can take part in to make the transition into their first day in a studio environment much simpler. Fortunately, ArchDaily has you covered with five (5) ways incoming architecture students can get themselves mentally prepared for the fall. Continue reading “ArchDaily’s 5 Ways Architecture Students can Prepare for Architecture School During Summer”

The Day The Kayfabe Died – WIRed #129

http://blip.tv/practitionerd/the-day-the-kayfabe-died-wired-129-7124852

It’s time for Episode 129 of WIRed, where Montez McCrary discusses a creative and interesting design for an art studio, Microsoft Sam giving a try at singing music covers, how ‘The Evil Within’ was edited into a two-hour film, and the how the Curtain Call incident broke kayfabe in wrestling! Welcome to WIRed, bringing you the nerdy-geekery on architecture, technology, gaming, and pro wrestling. Continue reading “The Day The Kayfabe Died – WIRed #129”

A Small Studio for Drawing, Painting and Sculpting by Christian Tonko

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No, the building is NOT collapsing down the hill, nor is it sliding down that same hill like a sled, NOR is it being pulled up the same hill.  As a matter of fact, this small art studio itself is a for visual device by being bi-directionally framed to its surrounding site. The drawing, painting and sculpture studio has a great amount of natural light coming from the southeast wall’s tilted glazing, and exterior screens can be deployed to block direct sun and modulate the light and other climatic conditions. A system of frames installed on the northwest part of the building enables bronze sculptures to be suspended in front of the glass and in direct sight of the working artist. It’s in that same spot that those bronze sculptures are staged as a motive of both reflection and confrontation for the artist on site.

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