Last week, Nintendo unveiled its “new interactive experience” for Nintendo Switch, called Nintendo Labo. Nintendo describes the Labo as a “new line of interactive build-and-play experiences that combine DIY creations with the magic of Nintendo Switch.” The Labo will allow Switch owners build cardboard versions of items — dubbed “Toy-Cons” by Nintendo — ranging from a 13-key piano, to a fishing rod, a bird house or even a motorbike. It works by inserting Joy-Con controllers into those Toy-Cons, and (via the Joy-Con’s use of multiple IR and motion sensors), players will be able to play games themed to the variety of cardboard creations. I must say, as someone who grew up making tons and TONS of things and projects out of cardboard, I’m extremely interested and intrigued by this product.
It’s probably not a secret that I’m a huge fan of Sonic the Hedgehog (here’s the damning proof, itself), so hearing that in one of the upcoming new Sonic games (other than the retro-tastic Sonic Mania, which, YES, I DID pre-order because I’m a sucker), you’d be able to create your own character to fight the forces of evil with Modern Sonic and Classic Sonic. Continue reading “Sonic Forces Lets You Create Your Own Sonic Character; Excuse Me While I “SQWEEEEEEEEE”…”
It’s time for Episode 129 of WIRed, where Montez McCrary discusses a creative and interesting design for an art studio, Microsoft Sam giving a try at singing music covers, how ‘The Evil Within’ was edited into a two-hour film, and the how the Curtain Call incident broke kayfabe in wrestling! Welcome to WIRed, bringing you the nerdy-geekery on architecture, technology, gaming, and pro wrestling. Continue reading “The Day The Kayfabe Died – WIRed #129”
No, the building is NOT collapsing down the hill, nor is it sliding down that same hill like a sled, NOR is it being pulled up the same hill. As a matter of fact, this small art studio itself is a for visual device by being bi-directionally framed to its surrounding site. The drawing, painting and sculpture studio has a great amount of natural light coming from the southeast wall’s tilted glazing, and exterior screens can be deployed to block direct sun and modulate the light and other climatic conditions. A system of frames installed on the northwest part of the building enables bronze sculptures to be suspended in front of the glass and in direct sight of the working artist. It’s in that same spot that those bronze sculptures are staged as a motive of both reflection and confrontation for the artist on site.